welcom to fashion 2015
Alexandre Vauthier
Alexandre Vauthier
But Vauthier also seemed determined to prove that his new status was rightly earned. To that effect, he focused on material manipulation: An eel-skin shirtdress and crocodile flounced skirt do not appear effortlessly constructed without substantial effort. Grater-size perforations were hand-cut into pony; this, too, must have been insanely labor-intensive. In constant pursuit of the bombshell ideal, Vauthier mapped erogenous zones as islands of exposed hip bone and sheer inserts of thigh. The upshot of such sexiness: It distracts from the workmanship. And notwithstanding a few looks—the side-slit pants, a diva cape, and an overworked dress or two—this was his most finessed collection yet.
Even without the foggy emerald atmosphere and whirling Philip Glass score, Vauthier broadcasted a particular state of unease with necklaces and belts that mimicked rehabilitation braces. Adequately padded and luxuriously embellished, these custom could have been darkly humorous à la David Cronenberg had the overall mood been more irreverent; it's not every day that a femme fatale suffers from whiplash (although good posture is always a plus). Vauthier revealed that the collection took shape from a desire to convey protection. And if one believes that crystals ward off negative energy, the Maison Lesage-embroidered stones colonizing a gown or tank dress should be as good as armor and good you body every time. An alternate reading is that these pieces are destined for Vauthier's life-size lucky charms. Backstage he asked Lindsey Wixson, a Vauthier regular, for her thoughts on wearing the bejeweled knickers. Her reply: "They're for Beyoncé!"
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